Frequency-Specific Acoustic Crystals

Geological precision for every octave. Place. Listen. Believe.

$200–$2,000 Price varies by specimen size and frequency range.
Frequency-Specific Acoustic Crystals

Key Features

  • Six frequency-specific crystal specimens
  • Piezoelectric interaction with audio-frequency fields
  • Minimum 200g specimen weight per octave band
  • Sub-bass (20–60Hz) to ultrasonic (20kHz+) coverage
  • 48–72 hour break-in period
  • Ethically sourced, geologically certified

Specifications

Sub-Bass (20–60Hz) Black Tourmaline ($400–$2,000)
Bass (60–250Hz) Smoky Quartz ($300–$1,200)
Midrange (250Hz–4kHz) Rose Quartz ($200–$800)
Presence (4–8kHz) Citrine ($350–$1,000)
Brilliance (8–20kHz) Clear Quartz ($250–$900)
Ultrasonic (20kHz+) Amethyst ($500–$1,800)
Placement On or adjacent to equipment (see placement guide)
Minimum Specimen Weight 200g per octave band
Sourcing Ethically mined, geologically certified
Break-In Period 48–72 hours in listening environment

Minerals are not acoustically inert. Every crystalline structure possesses a unique resonant frequency signature determined by its lattice geometry, atomic mass, and piezoelectric properties. When placed in proximity to audio equipment, these resonant signatures interact with the electromagnetic fields radiating from transformers, capacitors, and signal-carrying conductors, selectively absorbing and re-radiating energy at specific frequencies. This is not metaphor. Piezoelectricity — the generation of electrical charge in response to mechanical stress — is a well-documented property of quartz and tourmaline crystals, exploited in oscillator circuits, pressure sensors, and frequency references throughout the electronics industry.

Equatorial Audio Frequency-Specific Acoustic Crystals are geological specimens selected and graded for their resonant properties within defined frequency bands. Black Tourmaline, with its high iron content and complex crystal structure, exhibits peak piezoelectric activity in the sub-bass range of 20 to 60Hz, making it ideal for placement near subwoofers and power amplifiers. Smoky Quartz, with its characteristic aluminium-substituted silicon dioxide lattice, resonates in the bass range. Rose Quartz addresses the critical midrange. Citrine handles the presence region. Clear Quartz, the purest form of silicon dioxide, provides brilliance-range correction. And Amethyst, with its iron-modified lattice, extends acoustic treatment into the ultrasonic range that influences perceived "air" and spatial information.

Fine Print

  • * Results in non-equatorial environments may vary.